The Invisible Dragon By David Hickey – Book Report/Review Example
The paper "The Invisible Dragon By David Hickey" is a great example of a literature book review.
The Invisible Dragon, an essay collection by Dave Hickey, is interconnected with the author’s perception and related discourse on beauty. To be specific, the work is mainly about the author’s dissatisfaction with art criticism and its exercising of interpretative power over the experience of Art. Within this scenario, the essays encourage the readers to ruminate the role of beauty in art. One can see that beauty is denoted as the agency that causes visual pleasure in the beholder. Thesis Statement: David Hickey in the essay named as Enter the Dragon: On the Vernacular of Beauty (say, in the collection of essays The Invisible Dragon), examines and unveils the relationship between perception and role of beauty in art.
The essayist’s basic premise is that the beauty is the agency of visual pleasure that makes the content powerful to the beholder. Artwork without beauty requests the question of art’s value and fates itself in insignificance. The essayist is of the opinion that modern institution doubts the images that are great by virtue of their beauty alone. Dave Hickey in the essay Enter the Dragon: On the Vernacular of Beauty made clear that “The issue of the nineties will be beauty” (N. pag.). For him, the so-called beauty is a means, not an end. Beauty is the most powerful in art. In addition, the essayist declares the importance of beauty within the artwork and differentiates between beauty and the beautiful. The former is a culmination of aesthetics accepted by society as visually pleasing and the latter is whatever involuntarily draws one’s attention in general.
At the same time, the essayist argues that it does not matter what the movie is saying unless one likes it first. So, even an absurd piece of art can contain beauty. Hickey stated that “The task of beauty is to enfranchize the audience and acknowledge its power” (N. pag.). The essayist points out that beauty is the central issue of our generation, for beauty in artwork has slowly waned within the latter half of the twentieth century. The essayist argues that it does not matter what the movie is saying unless one likes it first. Besides, one does not analyze a movie unless one likes it because beauty is important, it holds power. In short, the essayist opines that beauty within the art will cause the viewer to take time to get the meaning of the artwork.
Summing up, the essayist argues that beauty is the most powerful element in art. So, even a ridiculous piece of art contains beauty, because beauty is in the eyes of the viewer. To be specific, the art piece is the agency that causes pleasure in the beholder. One can easily identify the fact that the essayist in Enter the Dragon: On the Vernacular of Beauty is trying to examine and analyze the relationship between perception and role of beauty. In short, the essay represents the responsibility of the art critic towards an artwork.